Krokhina

Larissa Krokhina
soprano

Larissa Krokhina, born in Kurgan in Russia, studied singing at the Music Academy in Moscow from 1994 to 2000. A DAAD scholarship enabled her to continue her studies at the State University of Music and the Institute for Musical Theater in Karlsruhe. From 2001 to 2003 she was a member and scholarship holder of the International Opera Studio at the Badisches Staatstheater Karlsruhe. She also took part in master classes with Mirella Freni, among others. The soprano's first engagements took her to Colmar, Dortmund, Bremen, Hamburg, Karlsruhe, Kassel and Japan. From 2005 to 2008 she was an ensemble member at the Heidelberg Theater and Philharmonic Orchestra. There she celebrated, among others, Donna Elvira in "Don Giovanni", Cio-Cio-San in "Madama Butterfly", Countess in "The Marriage of Figaro", Mimi in "La Bohème", Tatjana in "Eugene Onegin" and Vitellia in " "La clemenza di Tito" successes. She also sang the main roles in the highly acclaimed German premieres of John Adams' "A flowering Tree" and Daniel Catan's "Florencia en el Amazonas".

Larissa Krokhina made guest appearances in Singapore in 2009 under the direction of Kent Nagano, in 2013 as Desdemona in "Otello" at the Oldenburgisches Staatstheater and in 2014 as Margarethe in "Faust" by Gounod at the Berlin State Opera.

The soprano has been a permanent member of the DNT Weimar since the 2008/09 season. Her previous roles here include Mathilde in "William Tell", Liù in "Turandot", Pamina in "The Magic Flute", Donna Anna in "Don Giovanni", Tatjana in "Eugene Onegin", Countess in "The Marriage of Figaro", Hanna Glawari in the "Merry Widow", Margarethe in "Faust" by Gounod, Violetta in "La Traviata", Arabella, Cio-Cio-San in "Madama Butterfly", Field Marshal in "Der Rosenkavalier", Elsa in "Lohengrin", the Singer Anita in "Jonny plays on", Rosalinde in "Die Fledermaus" and Agathe in "Freischütz".

Repertoire:
Composer

Adam

Adams


Catan


Donizetti

Gounod


Get off

Link

Lortzing

Krenek

Mozart




Puccini




Romberg

Rossini


Rhythm
Strauss

Strauss



Tschaikowsky

Verdi



Wagner




Weill

Weber
Opera

"Si j'etais roi"

"A flowering tree"
(German premiere)

"Florencia in the Amazon"
(German premiere)

"Viva la mamma"

"Fist"
"Romeo and Juliette"

"The Merry Widow"

"Mrs. Luna"

"The Game Shooter"

"Jonny plays on"

"The Magic Flute"
"Don Giovanni"
"La Clemenza di Tito"
"Le nozze di Figaro"

"Gianni Schicchi"
"La Boheme"
"Madame Butterfly"
"Turandot"

"Student Prince"

"Guillaume Tell"
"L'iganno felice"

"The Conquest of Mexico"
"The bat"

"Arabella"
"The Rosenkavalier"
“Electra”

"Eugene Onegin"

"Falstaff"
"Otello"
"La Traviata"

"Lohengrin"
"Parsifal"
“The Meistersingers
from Nuremberg”

"Mahogany"

"Freischütz"
game

Bayadere

Kumudha


Florence


Great Donna

Marguerite
Stephano

Hanna Glawari

Ms. Luna

baroness

The singer Anita

Pamina
Donna Anna/Donna Elvira
Vitellia
La Contessa

Nella
Mimi
Cio-cio-san
Liu

Kathie

Mathilde
Isabella

Montezuma
Rosalind

Arabella
Marshal
Fifth maid

Tatyana

Alice Ford
Desdemona
Violetta

Elsa
Flower girl
Eve


Jenny

Agatha
Concerts:

Bach



Brahms

Chausson

Faure

Haydn

Mozart



Shostakovich

Ostrich

Vivaldi


Cantata No.: “Swings up joyfully” BWV 36
Cantata No.: 110 “Let our mouths be full of laughter” BWV 110
Cantata No.: 119 "Prices Jerusalem prices" BWV 119

requiem

Poems of L'amour et de la mer

requiem

Creation

Missa No. 14 C major KV 317 “Coronation Mass”
requiem
Vespere solennes de Confessore“KV 339

Symphony No. 14” Op. 135

Four last Songs

Gloria
Reviews:

Mimì (La Bohème)


“The young ensemble undoubtedly approached it with great commitment, both vocally and scenically (...) Larissa Krokhina has been an audience favorite in Heidelberg at least since her Cio-cio-san last year. She sang Mimì with the necessary lyrical flourishes, a voice that rested firmly on the breath and the required vocal naturalness” (Opernglass); “Larissa Krokhina was outstanding as Mimi, who doesn't indulge in romantic, quiet enthusiasm, but rather confidently demands love. “She formed beautifully bright, colorfully glowing cantilenas and intensely radiant passions as if from a single mold” (Echo Online); “(...) young and highly ambitious singing ensemble, at the lonesome head was Larissa Krokhina with her sensual, lush and highly concentrated soprano and could be seen as the extremely expressive Mimi” (Mannheimer Morgen);

La Contessa (Le nozze di Figaro)

“Larissa Krokhina sings with a noble voice in her quiet realm of pumps and high heels” (Rhein_Neckar Zeitung); “The “Figaro” was a brilliant evening by the Heidelberg ensemble, which put many a more important house to shame in the equivalence of the five lead singers (...) Larissa Krokhina as the pure-hearted countess” Stuttgarter Zeitung);
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